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Discovering JOY in Our Wild Edges (Mary Plate DeJong)

Discovering JOY in Our Wild Edges (Mary Plate DeJong)

From Mary Plate DeJong's Waymarkers.net. See the original post here

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“Tell me the landscape in which you live, and I will tell you who you are.”
— José Ortega y Gasset

Socrates infamously argued that in order to be wise, one must know oneself.  John Calvin underscored the absolute necessity of accurate self-knowledge to knowing God when he wrote: “Nearly all wisdom we possess, that is to say, true and sound wisdom, consists in two parts: the knowledge of God and of ourselves.” Calvin argued that one could not truly know God without knowing oneself and that one couldn’t truly know oneself without knowing God. 

This seemingly mysterious cycle appears to lack an entry point. There appears to be a missing foundational element to this work of gaining self-understanding and Divine-knowing. I believe that through cultivating a sacred relationship with the natural world, we cultivate an in-road into the mutually informing cycle of Self/God knowledge that dismantles its inherent anthropocentric, ego-centricity, and demands a more eco-centric approach that broadens our understanding of our selves and the Sacred to include the soil and stars. 

In seeking restorative relationship with the natural and other-than-human world, we create capacity for deeper understanding of both the self and the Sacred.  It becomes a third way into the wisdom cycle that doesn’t conflate and confuse the sought after entities, but rather informs them both in an organic and connected way.

FINDING THE SEASONAL COLOR WITHIN THE NATURAL WORLD BEGINS TO AWAKEN THE SENSES AND IS A FUN ACTIVITY FOR CHILDREN! 

FINDING THE SEASONAL COLOR WITHIN THE NATURAL WORLD BEGINS TO AWAKEN THE SENSES AND IS A FUN ACTIVITY FOR CHILDREN! 

I am in a forest phase of my life, where soul growth is related to both deep rootedness and profound interconnection. When we enter a forest phase in our lives we enter a period of rooting and a time of potential soul growth. Here it is possible to find what we have been cut off from, to remember once vital aspects of ourselves that required an interdependence with the natural world. We may uncover a wellspring of creativity and Sacred connection that has been hidden for some time underneath the trappings of a busy and overly domesticated life. In this time of recovering my more wild self, my understanding of who I am is expanding to use an ecological lens to discern meaning through interconnected relationships and a deeply presenced place. I find that what is driving my soul growth and understanding of holy mysteries are the questions: How do we be “of a place” once more?  How do we become a part of the ecology of a place and of the planet?  The answers to these questions come through a growing attunement to the rhythmic seasons of the natural world, and the phases of the wonder-filled sky, which ultimately invite me into insight and knowledge of myself and how I experience God.  

Irish theologian and philosopher John Scotus Eriugena understood that Christ was revealed through two forms of revelation: scripture and the natural world. He believed that “Christ wears "two shoes" in the world: scripture and nature. Both are necessary to understand the Lord, and "at no stage can creation be seen as a separation of things from God.” I want to establish rhythms and personal practices that honor and cultivate richer connections with the interrelated biological and cosmic systems that have meaningfully existed for billions of years as a way to root my sense of self and the Sacred in the very real soil of my daily existence.

I want to learn from the sacred scripture of creation.  

I have started doing monthly nature mandalas as a spiritual practice, as a way of developing a framework for exercising my senses to awaken to the Sacred wisdom that resides within nature. Theophanies, or God-showings, are synchronistic signs that reveal significance and meaning, as well as reveal something of the character of God. By going outside to co-create a nature mandala, I have sought to develop the capacity to receive Divine symbols and experience the mysterious presence of God within the natural world. This practice, while relatively easy, has become a way that I attune to who else is residing and growing in my garden. As I slowly walk around my house and neighborhood, I begin to see anew with gratitude the vast biodiversity with whom I live. 

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Naming and Knowing: Words Sharpen Sight
This is a practice of remembering, remembering and reacquainting with the presence and names of the plant-life within one’s homescape.[1] This is a time when the seasons’ reveal who shows up and who has been there all along but whose shape has shifted as the months turn. This is an invitation to transform a stranger into a Thou by the practice of learning and saying their name. This is a process of knowing so that respect and love can emerge and transform how we live upon the land, for it has been said that one cannot love what one does not know.

Beyond the beauty and gratitude that emerges from the creation of a nature mandala, there are deep truths, profound invitations, and mythopoetic metaphor that reside within the design as well. To discover these aspects, it is well worth the time to discover the names and characteristics of those with whom we share our landscapes—you may find you reconnect with neighbors in the process!

When I was collecting plants for my November mandala, I could see the orange orbs of my neighbor’s persimmons above the tall fence across from my home. Sadly, this fence has created a sense of disconnection between our families. However, my desire for one of those persimmons for my mandala was strong enough that I quickly devised a plan that would hopefully find this fruit not only in my basket but also strengthen neighborly relationships. I went to my cupboard for a quart of raspberry lavender preserves, put up this summer from our yard’s bounty. My daughter and I crossed the street, basket and jar in hand, and unlatched our neighbor’s gate. In response to our knock on the door, our Cambodian neighbor Bhun answered, accepted our jar of jam in exchange for some of his persimmon fruit! Despite our language barrier, the joy of sharing the fruit of our land as neighbors was mutual.

This ritual act has reminded me that there is an inherent respect and reciprocity that is demanded with the taking as well. We all know the story of Repunzel’s father who called forth a curse when caught taking too much and without asking. As we collect our items for our monthly mandala, it is critical to do so with a spirit of grateful exchange, being careful to not take too much or take carelessly. And then there is the question of what can be given in exchange for the berry, leaf, or twig being taken? In many ways the mandala itself is a temporary gift to the natural world. And maybe this posture of mutuality invites action based commitments to more deeply care and come alongside the natural world in solidarity. 

The accompanying practice of naming the natural elements that form the mandala exercise the sense of seeing. You will find that once your mandala is complete, you will begin seeing the selected plants all around you! This is the beginning of a vital and fun interrelationship with creation; there is so much to learn from the natural world when we allow it to be our teacher!

WE CLEARED A CIRCLE WITHIN OUR PAPER BIRCH LEAVES (BETULA PAPYRIFERA) TO CREATE THE FOUNDATION FOR OUR MANDALA. MY PRACTICE IS TO BUILD THE MANDALA AROUND THE FOUR CARDINAL DIRECTIONS, WHICH ALSO CORRESPOND TO THE FOUR SEASONS, AND BUILD INTO THE DE…

WE CLEARED A CIRCLE WITHIN OUR PAPER BIRCH LEAVES (BETULA PAPYRIFERA) TO CREATE THE FOUNDATION FOR OUR MANDALA. MY PRACTICE IS TO BUILD THE MANDALA AROUND THE FOUR CARDINAL DIRECTIONS, WHICH ALSO CORRESPOND TO THE FOUR SEASONS, AND BUILD INTO THE DESIGN ELEMENTS OF TWELVE, WHICH CORRESPOND TO THE TWELVE MONTHS OF THE YEAR.  

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[1] I define homescape as the natural landscape that makes up one’s home—yard, neighborhood, even local parks and open spaces. These are critical natural areas that create habitat for a whole community of life with whom we interact. Learning about our homescapes invites us into more intentional knowledge and understanding of those with whom we share life and resources.

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Mary DeJong is a member of the AllCreation team. See more of her work on our site here. To find out which plants Mary used in the cover mandala above, and more, visit her excellent site Waymarkers

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Biodiversity in Islam

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